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Photographic
images of Indian life are rare treats. The idea of the white mans
camera does not sit easily with most Plains Indian tribes. The
opportunity to photograph the Plains Indian is but a brief glimpse
into a rich and turbulent cultural history. It is also an important
contribution to our recorded history.
Over
the years I have had the pleasure of meeting many Indian people
but photographing very few. Frank Fools Crow, Lakota Medicine
Man and Ceremonial Chief; Jack Little, Lakota Author Lecturer
and Museum Guide and Bill Tall Bull, Northern Cheyenne Tribal
Historian, are men who have made important and countless contributions
to the self esteem of their people.
They
are men who have experienced the old ways of their people, the
turbulence of dramatic change and hardships in the twentieth century
and have continued to seek an equilibrium and self respect for
their people. I still cherish the opportunity I had to meet and
photograph them.
It
is a commonly held view that Native Americans do not like to be
photographed. This idea is more representative of the nineteenth
century thought, when it was documented that many Indians thought
that the still image captured and entrapped their spirit.
Today,
individual choice and the photographers approach are the
determining factors in gaining consent to photograph. Many Native
Americans will consent to being photographed if an appropriate
introduction is made and proper manners are observed. It is not
unusual for a photograph stolen from a safe distance to be foiled
by a last second flick of an eagle fan, consent is vital.
During
my two decades of travelling over the Great Plains region I have
always used the same two Olympus 20 cameras. To fully learn how
best to capture the images that I sought, they had to become an
extension of my arm. It was also important that the actual camera
was not too intrusive.
A
natural environment was important both to the subject and structure
of the images. When I happened across a person willing to be photographed,
we shook hands and then set about the task of creating an image
that we would both be proud of. This, however should not be confused
with posed shots, my photographs accurately represent a brief
encounter in time when all the essential elements come together
without the aid of props and unnecessary artifice.
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